“I care about type greater than the rest,” Morteza Khakshoor instructed us just lately, “Shade is vital, but it surely’s secondary for me. When issues usually are not working in my work, I do know one thing is mistaken with the shapes and types. Issues are a lot simpler when the shapes are good in my eyes.” This felt related in Morteza’s new present, a web based presentation with London’s Taymour Grahne Initiatives. Diving Into Oblivion is a “haunting new sequence of works on paper that discover the complexities of selfhood, psychological stress, and the previous, by means of fragmented narratives and dreamlike figures. Each bit might be half of a bigger story—but in addition exists independently, inside its personal self-contained universe.” The colour utilized by Morteza captures a…
