I used to be on a gallery crawl downtown when information broke that New York’s Museum of Modern Art had chosen Christophe Cherix as its subsequent director, arguably probably the most coveted place within the higher echelons of the worldwide artwork world. That afternoon, I occurred to cease by a present at Hannah Traore Gallery devoted to the Guerrilla Women.
The feminist artist group lower its enamel within the mid-’80s with a collection of posters that took the artwork world to process by tallying knowledge about gallery rosters, museum hangs, and extra. The outcomes have been at all times disappointing: they confirmed that the artwork world remained overly male and overly white, with the numbers to show it.
Apparently, although, I couldn’t discover a tally of the variety of administrators of New York museums in their archive. Right here’s one because it at the moment stands for 2025. At present, three of the town’s 4 largest establishments—MoMA, the Metropolitan Museum of Artwork, and the Whitney Museum—are all led by white males, whereas the Guggenheim Museum is led by a white girl. Increasing the purview to incorporate establishments just like the Frick, the American Folks Artwork Museum, and the Morgan Library (white males), in addition to the New Museum, MoMA PS1, the Brooklyn Museum, the Queens Museum, and the Dia Artwork Basis (white ladies), the outcomes aren’t a lot completely different.
There are extra ladies operating museums in New York than there have been 40 years in the past, however in the case of range on the high, the image continues to be fairly bleak. (The panorama is comparatively comparable on the high artwork museums in every of the US’s subsequent largest cities.) Among the many solely individuals of coloration main artwork museums within the metropolis are Thelma Golden on the Studio Museum in Harlem and Patrick Charpenel at El Museo del Barrio, each of that are culturally particular museums. (Golden was lengthy rumored to be the plain alternative for the MoMA directorship when it opened up.)
The management of a company indicators its virtues—who’s on the high says so much about its mission and imaginative and prescient. So, it’s a disgrace {that a} museum like MoMA wouldn’t take a extra venturesome leap ahead with the appointment of its subsequent director.
With MoMA, any choice of this type takes on extra significance. It’s one in every of two museums—the opposite being the Met—that has an unofficial management position on this nation. In different phrases, when MoMA strikes, others observe, from the encyclopedic and encyclopedic-adjacent collections in cities like Los Angeles, Chicago, Boston, Philadelphia, and Houston to those targeted on fashionable and up to date artwork. MoMA’s transfer in some ways arguably places extra strain on establishments doing management searches within the coming years.
Plus, MoMA additionally holds a singular place throughout the historical past of recent artwork, with its first director, Alfred H. Barr, Jr., having famously mapped out an exceedingly linear—and exclusionary—development of creative actions starting within the late nineteenth century till the mid-Twentieth century.
Cherix is definitely certified for MoMA’s directorship. Having joined the museum almost 20 years in the past and having served as a chief curator of prints and drawings for round 15 years, he is aware of MoMA intimately. He’s co-organized bold exhibitions for necessary artists, together with Marcel Broodthaers, Adrian Piper, Bruce Nauman, and Ed Ruscha, and in an interview with the New York Occasions, outgoing director Glenn Lowry highlighted Cherix’s had profitable fundraising for these reveals, a lot of which have been unusually massive in scale. That’s not straightforward work, particularly when you concentrate on simply how a lot cash—together with charges for transport, insurance coverage, and set up—reveals of this type require.
That Cherix has these abilities is a giant plus, particularly for a mammoth establishment like MoMA, which has an endowment of round $1.7 billion and an working price range of round $270 million. After which there’s the board of trustees. At 55 members, it’s one of many largest and strongest boards within the nation. Lowry efficiently managed to maneuver the intricacies of this class of elite, principally billionaire, moguls and philanthropists (a few of whom have been protested in recent times). Lowry told the Occasions final yr that he might have stayed for an additional five-year contract—he had the board votes to achieve the mandatory approval. However he bowed out, hoping to move on the reins to a youthful era.
The board discovered that in Cherix, who’s 55 years previous. Per MoMA’s earlier coverage, senior managers retired at 65, giving Cherix ten years within the job. However Lowry stayed on till 70, and when his most up-to-date contract was renewed, a MoMA spokesperson appeared to suggest that the coverage was now not actually in impact in a statement to the Occasions.
When Lowry introduced his retirement final September, a operating sport of hypothesis over who may succeed him started. (ARTnews, too, compiled a list of candidates who is perhaps on the shortlisted for the place.) It’s recognized that the museum performed interviews with exterior candidates, however they in the end determined to go together with somebody in-house. An inner rent who has by no means been a director is in some methods a shock, however maybe not so for these conversant in MoMA’s board, who seemingly worth stability and security over somebody who may carry a recent jolt of vitality.
Since its founding in 1929, MoMA has solely had six administrators, with Cherix set to develop into the seventh. All of them have been white males. As a manner of claiming that these males are usually not the one ones who’ve performed necessary roles within the museum’s historical past, MoMA final fall printed a guide titled Inventing the Fashionable: Untold Tales of the Girls Who Formed The Museum of Fashionable Artwork, 14 (white) ladies who left an indelible impression on MoMA, together with the three founders—Abby Aldrich Rockefeller, Lillie P. Bliss, and Mary Quinn Sullivan. With out these ladies, MoMA wouldn’t exist. The publication of that guide hinted, no less than to me, that maybe the board would no less than select a lady for the directorship.
That didn’t occur, and when the information broke of Cherix’s accession, the ARTnews Slack channel lit up with dialogue about simply this. One colleague made an astute remark. Whereas MoMA performed a seek for its directorship, the Whitney seemingly didn’t for its chief. The Whitney introduced that chief curator Scott Rothkopf would take over in the identical launch that confirmed Adam Weinberg would step down in a couple of months’ time. As my colleague wrote, “On the finish of the day they each employed white males from inside.”
Having not served on the board’s search committee for the MoMA directorship, there’s no solution to say definitively if the museum was at all times going to go together with the interior candidate. However it does make you marvel. I’m not saying that individuals shouldn’t have the ability to develop of their jobs and be thought-about as robust candidates for management establishments at locations they’ve spent a considerable amount of their careers. I’ve myself benefitted from rising by the ranks, having began as an editorial intern at ARTnews over a decade in the past.
However there’s nonetheless one thing that doesn’t fairly sit proper about Cherix’s appointment. In fact, I’m very happy to be confirmed fallacious. As Lowry mentioned of Cherix, “he additionally has his personal concepts.” I’m intrigued to listen to these concepts, however this isn’t what I—and doubtless a major contingent of the artwork world—hoped for. In some ways, it’s simply one other deflation, a second the place nothing has modified, the place progress achieved has reached yet one more standstill. The limitations on the high clearly nonetheless exist, simply as they do in any respect ranges. They don’t appear to be going anyplace, anytime quickly.
The USA is in a darkish second. Museums, to my thoughts no less than, are locations to encourage, to supply hope, to indicate a special manner ahead. I believed the appointment of latest director for MoMA would seemingly just do that for me. Sadly, it didn’t.
