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    Home»Arts»Keita Morimoto Lingers in the Artificial Light of Urban Nights — Colossal
    Arts

    Keita Morimoto Lingers in the Artificial Light of Urban Nights — Colossal

    Younspire MagazineBy Younspire MagazineMarch 16, 2025No Comments3 Mins Read
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    Cities are continually in flux, however Keita Morimoto (previously) invitations us to linger of their transitions slightly longer. The artist renders nook shops, merchandising machines, and lampposts that illuminate areas that may in any other case go unnoticed. Both unoccupied or inhabited by only one or two individuals, Morimoto’s scenes are dimly lit however not eerie and invoke the environments most of us interact with for only a second.

    “The nameless, liminal areas in my work echo the sensation of by no means totally belonging,” Morimoto says in an announcement. “I’m drawn to the best way feelings can rework a well-recognized setting into one thing solely completely different, revealing deeper truths concerning the human expertise.” 

    “Crossroad” (2025), acrylic and oil on linen, 162 x 130 x 3 centimeters

    In a brand new physique of labor titled To Nowhere and Again, the artist continues his explorations into the interaction of sunshine and shadow. Drawing on the sights of New York Metropolis and Tokyo, he considers how we discover connection in a world that’s continually altering. He shares:

    My work displays a lifetime of navigating battle, loneliness, and the will to flee inside city environments. Once I moved from Osaka to Canada at 16, I skilled a profound sense of isolation, as if severed from all the things acquainted. Over time, some connections emerged, but it surely was at all times accompanied by delicate discomfort. Returning to Japan in 2021 introduced an analogous disorientation—moments when even my birthplace felt unfamiliar, as if actuality itself had shifted.

    Reasonably than translate streets he’s wandered down immediately onto the canvas, Morimoto paints with a cinematic high quality. This pulls the viewer from the acquainted and makes even probably the most atypical sidewalk seem intriguing. Zeroing in on mild sources additional helps this imaginative and prescient, and synthetic bulbs develop into beacons amid scenes shrouded in darkness. The artist considers how these machines create “a robotic concord in Japanese city life” and paints them as characters in their very own proper.

    To Nowhere and Again runs from March 14 to April 26 at Almine Rech in Tribeca. Discover extra from Morimoto on Instagram.

    a payphone illuminates a dark street
    “Final Name” (2025), acrylic and oil on linen, 116.7 x 91 x 2.8 centimeters
    a corner store illuminates a dark street
    “Night Embers” (2025), acrylic and oil on linen, 162 x 130.3 x 3 centimeters
    vending machine lights illuminate a dark street with two people in front of it and another in the foreground
    “Forgotten Path” (2025), acrylic and oil on linen, 162 x 259 x 4 centimeters. Photograph by Osamu Sakamoto
    a vending machine illuminates a dark street
    “Ready Hour” (2025), acrylic and oil on linen, 116.7 x 91 x 2.8 centimeters
    a person walks across a crosswalk illuminated by a streetlight
    “No Vacation spot” (2025), acrylic on panel, 27.3 x 22 x 2 centimeters
    one person sits on a concrete wall while another stands nearby. both are illuminated by a deep orange light
    “Night Embers” (2025), acrylic and oil on linen, 162 x 130 x 3 centimeters
    a woman on an illuminated stairwell
    “Stairs to Nowhere” (2025), acrylic and oil on linen, 162 x 130 x 3 centimeters
    an aerial painting of a town with a cat illuminated by a lamppost in the foreground
    “The Approach Again” (2025), acrylic and oil on linen, 162 x 194 x 3 centimeters
    a person on their phone leans on a bike rack in front of a glowing sign
    “Missed Calls” (2025), acrylic and oil on linen, 145.5 x 112 x 3 centimeters
    a group of people sit on the sidewalk outside a bar lit by a glowing sign
    “Gathering” (2025), acrylic on panel, 27.3 x 22 x 2 centimeters

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