Carlye Packer is proud to current This Grass is Inexperienced, Los Angeles-based artist Samala Meza’s first solo exhibition with the gallery. Opening Friday, Might twenty third from 6 to eight pm, This Grass is Inexperienced will likely be on view by way of Saturday, June twenty eighth, at Sidecar, 2034 Imperial St, Los Angeles, CA 90021.
Meza’s new physique of labor presents shade discipline work that method femininity as a proper code—flattened, stylized, and distributed throughout the floor. Utilizing softly-rendered shapes and thoroughly repeated visible motifs, Meza creates a language of erotic abstraction: diagrams that counsel publicity with out revealing, that invite want with out naming.
The works recall a visible financial system pulled from logos, ads, and public signage. Centralized voids and concentric kinds nod to targets or icons, whereas their softened edges resist legibility. Right here, abstraction doesn’t obscure—it heightens. These usually are not portraits of ladies, however patterns about wanting. The physique seems not as determine, however as schema.
Whereas rooted in formal portray, Meza’s follow attracts from a broader inquiry into the spatial politics of visibility, as articulated by Paul B. Preciado in Pornotopia: “Pornographic structure doesn’t cover; it exposes. It doesn’t shield; it affords itself. It doesn’t symbolize; it reproduces.”
Working inside that conceptual climate, Meza’s compositions don’t depict a lot as they flow into. Their softness is intentional, and strategic. It marks a boundary—between pleasure and efficiency, between want and its staging. The works sit within the seductive house between critique and compulsion — they’re satirical with out irony, tutorial with out insistence. Pleasure is taken critically, and softness is a type of technique.
