Jang Seungkeun’s work don’t comply with the acquainted types of objects. As a substitute, they seize fleeting impressions and sensations, unfolding them throughout the canvas. The shapes in his works collect and disperse, take type after which dissolve, softening the boundaries of the pictorial area. This course of not solely information traces of the artist’s gaze but in addition creates a dynamic, unfixed spatial expertise.
He begins by swiftly sketching scenes from on a regular basis life, layering traces and colours to generate new types. Fairly than settling into mounted shapes, his work turn into fluid experiences. Traces dismantle and reassemble types, permitting that means to move freely with out being confined to a inflexible framework.
Jang Seungkeun’s work are in fixed movement. His embrace of change and adaptability permeates each nook of the canvas. Stripped of pretense or formality, his works strategy the viewer with a refined humorousness, fostering moments of pure interplay reasonably than remaining solemnly remoted.
In his latest exhibition, Work That Contact the Pores and skin, Jang presents over ten work that trace on the future path of his creative language. We frequently really feel discomfort with the unfinished or the ambiguous, striving to outline issues with readability. But, as a result of excellent interpretation is not possible, we proceed to discover, ponder, and create new meanings. By his work, Jang Seungkeun seeks to seek out threads of connection in a fragmented world.
