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    Home»Arts»In ‘Pu$h Thru,’ Yvette Mayorga Examines Latinx Experience Through Rococo Maximalism — Colossal
    Arts

    In ‘Pu$h Thru,’ Yvette Mayorga Examines Latinx Experience Through Rococo Maximalism — Colossal

    Younspire MagazineBy Younspire MagazineJune 15, 2025No Comments4 Mins Read
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    Identified for her delectable, frilly, sometimes ominous acrylic work made with bakery instruments, Yvette Mayorga (previously) nods to reminiscences of her mom working as a baker and references Baroque and Rococo artwork whereas critically analyzing household, neighborhood, and notions of prosperity.

    Mayorga’s items are “dominated by shades of pink to critically look at the American Dream and the Latinx expertise, typically borrowing compositions from private and household photographs and artwork historical past,” says Monique Meloche Gallery, which presents a solo present of the artist’s work opening this weekend.

    “W3 R TIR3D” (2025), collage, rhinestones, plastic butterflies, acrylic marker, pastel, silver foil, gold foil, pen, acrylic nails, automotive sticker, butterflies, glitter, gold
    flakes, silver flakes, textile, belt, rhinestones, nail charms and acrylic
    piping on canvas, 48 x 36 inches

    Pu$h Through, the artist’s first present with the gallery and the primary in her hometown of Chicago since 2018, takes a semi-autobiographical method by reflecting on her experiences over the last decade within the metropolis. Past her attribute confection-inspired works, she has created large-scale compositions incorporating discovered objects like lampshades, clothes, and jewellery, together with bits of ceramic, pastels, gold foil, acrylic nails, and extra.

    Many of those works draw on Mayorga’s private reminiscences, like snapshots of the artist as a baby throughout a celebration or sitting in her household’s front room. Converging with romantic Rococo aesthetics and magnificence, like portraits modeled after Elizabeth Vigee Le Brun or Jean-Honoré Fragonard, the artist addresses the Euro-centric narrative of artwork historical past and its overarching omission of different identities. Mayorga has even coined a time period to explain her method, “Latinxoco,” which merges Latinx id with Rococo aesthetics.

    “Pink, a coloration that has an extended historical past with Mayorga’s apply, is deployed as a conceptual technique to destabilize Western beliefs of pores and skin tone, evoking questions of race, class, and gendered embodiment whereas additionally referencing beauty and home aesthetics—an ironic and radical reclamation of softness as power,” the gallery says.

    Pu$h Through runs from June 14 to July 26. See extra on the artist’s website and Instagram.

    a horizontal mixed-media painting of figures in an interior space with a tiled floor
    “La Ursupadora Not 4 Me” (2025), collage, textile, glitter, lamp shade, pen, electrical outlet, hoop earrings, sneakers, denims, marker, pastel, drawer handles, lampshade, ceramic, belt, felt, pastel, clock, stickers, gold flakes, gold foil, mirror, acrylic nails, textile, nail charms, TV management, and acrylic piping on canvas, 60 x 120 inches
    an oval mixed-media painting with textural gold and black paint
    “What’s Hidden Beneath (Remnant Sequence)” (2025), discovered objects, nail charms, and acrylic piping on canvas, 16 x 12 inches
    a mixed-media painting with numerous compartments and patterns
    “Scorching and Prepared” (2025), collage, rhinestones, acrylic marker, silver foil, gold foil, pen, pastel, mirror, acrylic nails, stickers, rhinestones, gold flakes, nail charms, collage, glitter and acrylic piping on canvas, 48 x 36 inches
    a mixed-media portrait of a woman with an 18th-century style in front of a brocade background
    “Self Portrait of the Artist After Élisabeth Louise Vigée Le Brun” (2025), textile, collage, stickers, gold flakes, silver flakes, pen, lace, buttons, acrylic nails, nail charms, and acrylic piping on canvas, 72 x 60 inches
    an oval mixed-media painting with textural gold and black paint
    “The Portal (Remnant
    Sequence)” (2025), discovered objects and acrylic piping on canvas, 16 x 12 inches
    a mixed-media portrait of a man with an 18th-century style in front of a brocade background
    “Rhinestone Vaquero After Élisabeth Louise Vigée Le Brun” (2025), textile, rhinestones, buttons, belt buckle, gold flakes, silver flakes, glitter, and acrylic piping on canvas, 72 x 60 inches
    an oval mixed-media painting with flowers in relief
    “Taffy Taffy (Remnant
    Sequence)” (2025), discovered objects and acrylic piping on canvas, 16 x 12 inches
    “PU$$H PU$$H THRU” (2025), collage, rhinestones, glitter, acrylic marker, silver foil, gold foil, pen, toy boat, mirror, marker, acrylic nails, stickers, textile, leather-based, nail charms, and acrylic piping on canvas, 48 x 36 inches
    an oval mixed-media painting with textural black paint
    “La Serpiente (Remnant Sequence)” (2024), discovered objects and acrylic piping on canvas, 16 x 12 inches
    two mixed-media paintings in a gallery with a tile floor installation and ornate wallpaper behind one painting, the other on a black wall
    Set up view of ‘Pu$h Through’ at Monique Meloche Gallery
    an oval mixed-media painting with textural gold and white paint
    “Occasion Favor (Remnant Sequence)” (2025), discovered objects, nail charms, occasion favor, and acrylic piping on canvas, 16 x 12 inches

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