Hunter Noack travels for work. One week he may commute between Oregon or Washington, and the next month, flit between Montana, Utah and California. You’ll be able to monitor his whereabouts on his web site—and may even see him on the freeway.
Noack is straightforward to identify. He’s the one within the pickup truck, pulling a 1912 Steinway Mannequin D grand piano on a flatbed trailer.
He’s taking it to his workplace, which is in a forest. And on a mountaintop. Or, generally in a canyon. Having discovered a technique to fuse his love of classical music together with his passion for the outside, Noack performs by a wholly totally different algorithm when he punches his time card.
As a substitute of a pc display screen, he reads sheet music, sitting on the identical piano utilized in Carnegie Corridor. Solely in Noack’s performances, there is no such thing as a theatre seating or ushers. There are, as an alternative, birds, deer and squirrels experiencing his artwork alongside individuals on blankets, individuals sitting on rocks or individuals in strolling meditation, taking within the attractive surroundings.
Since 2016, his touring present, In a Landscape, has allowed him to present over 300 concert events to greater than 75,000 individuals in state and nationwide parks, working ranches and epic pure areas that depart most attendees speechless.
His product is awe and surprise, and his mission is to attach individuals to nature via classical piano music. With a flatbed that rises to turn out to be a stage, and wi-fi headphones that permit visitors to discover their environment because the music flows via them, his ROI is measured in faces and emotions, which aren’t quantifiable by any recognized advertising and marketing metrics.
How Noack’s journey began
Ten years into his whimsical touring live performance collection, Noack’s enterprise hovers between $1.2 and $1.4 million—and a employees of 10. However when he began in 2016, an $18,000 grant from a regional arts company allowed him to fund 9 concert events the place, with the assistance of his household, exterior donations and many bootstrapping, he’d boldly carry a rented piano into the wild.

“My accomplice and my mom and stepfather have all the time been an enormous a part of making this venture occur,” he shares, including that “my mom got here from a profession in nonprofit administration. And so, at first, it was very a lot a group effort, form of attempting to determine how we might make this occur. Now my accomplice remains to be concerned informally, my mom is the manager director and my stepfather is the board president, and so it nonetheless very a lot seems like a household group.”
When Noack acquired a bigger grant from the Oregon Group Basis the next 12 months to carry the venture throughout the state, hauling rented Steinways grew to become an excessive amount of of a legal responsibility. Because of the assistance of philanthropist Jordan Schnitzer who, in 2016, purchased the primary set of headphones (which scale back exterior noise for the reason that outside lacks correct acoustics) and, in 2017, allowed him to pivot to a extra everlasting setup.
Whereas others suggested him to tote a keyboard round as a result of it was simpler, he says Schnitzer understood the worth of getting the identical piano utilized in probably the greatest live performance halls within the nation for his venture and purchased him a completely restored 9-foot Steinway Mannequin D inbuilt 1912. Noack firmly believes that a big a part of In a Panorama’s success is owed to the caliber of the instrument he makes use of.
The inspiration for the venture
Noack says he acquired his inspiration for such a grand venture from The Works Progress Administration’s (WPA) Federal Music and Theatre Initiatives, which he says introduced hundreds of free concert events and performs in theatres, public areas and parks all through the nation in the course of the Nice Despair. “What I used to be notably impressed by,” he says, “was that they introduced … the performing arts exterior of the live performance corridor and into what I consider are our most democratic areas, that are our public lands … so with the primary spherical of In a Panorama, I particularly selected parks and WPA websites.”
Due to Noack’s ardour for pure useful resource administration, the majority of his concert events are in public lands, which embody all the pieces from metropolis and county parks to state and nationwide parks like Yosemite Valley and Joshua Tree.
“We work with federal land administration companies, Forest Service, Bureau of Land Administration, nationwide parks, state parks in addition to … personal resorts, ranches and farmers,” he says, including that “the hope is that these totally different landscapes—some which are extra wild and others the place the human impression is extra a gift a part of the story—encourage a state of curiosity to be taught extra concerning the panorama.”
Touring with a hundred-year-old Steinway
To get his piano to such distinctive areas, Noack says he and his group needed to design their very own system of set-up and breakdown whereby the piano all the time stays contained in the trailer with detachable legs that permit for simpler set-up and breakdown. The trailer elegantly transforms right into a stage and is pulled behind a pickup truck that may go wherever an off-road automobile can go – together with 9,000 ft on high of Mount Bachelor.
“We did a live performance just a few instances in Massive Sky, Montana,” Noack shares, “the place via the Warren Miller Performing Arts Middle, they organized a snowcat to carry the trailer out into the center of this open subject the place that they had groomed a particular cross nation ski path so individuals might snowshoe and cross nation ski whereas they have been listening to the music. It was wonderful.”
Noack’s roots run deep
The seed for such a grand thought was planted when Noack was in faculty, dwelling in the course of San Francisco, LA and London, the place he needed to make an effort to be in nature. Having grown up in Oregon, the place the outside was his playground, he says he longed for his work to carry him exterior, however as an alternative discovered himself creating indoor areas that felt like they have been outside.
“The context utterly modified how individuals heard the music… and it was very efficient,” says Noack.
Whereas incomes a M.A. from the Guildhall College of Music and Drama in London, he gained an award, which provided a stipend and the usage of a Barbican theatre for 2 weeks. He determined to provide a theatrical presentation of the string sextet by Arnold Schoenberg, Verklärte Nacht, which relies on the Richard Dehmel poem a few lady strolling in a forest together with her lover. Noack wished to carry the story to life, so he labored with lighting and set designers to rework the theatre right into a moonlit forest—together with leaves on the bottom individuals shuffled via, forest smells piped in and a selection to sit down on seats or tree stumps.

“In a Panorama” is a success
When he returned to Oregon, he realized that if he might recreate a forest inside a London theatre, he might carry a theatre expertise into the breathtaking pure areas in his house state and throughout the nation.
That sensitivity advantages his attendees—lots of whom have by no means heard classical music earlier than, notably these in rural areas who might not have entry to a live performance corridor. Others, he says, “would by no means take into account going to a classical music occasion, however as a result of it’s on their neighbor’s ranch, they’re going to test it out. And people persons are pleasantly shocked that they really feel one thing.”
After his first 12 months of In a Panorama, the suggestions he acquired was not like something he acquired whereas performing inside live performance halls. He says individuals have been describing emotions of spirituality and transcendence, which helped him notice his venture was a lot greater than simply him. “[It] has helped me develop my view and be extra delicate to what’s instantly taking place round me and letting that vitality be part of the music,” he says.
Because of greater than donations and grants, Noack can preserve his ticket costs low, and his Good Neighbor program supplies free tickets to these for whom the fee is prohibitive. “Nowadays the place there’s a lot that’s telling us that we live in several realities, I feel that bodily experiences together are really important,” he says. “I feel that spending time in nature, listening to music collectively … is basically necessary … and so I actually hope that with this venture we … get individuals somewhat bit out of their consolation zones to expertise some magic within the wild.”
Pictures by Arthur Hitchcock.