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    Home»Arts»Descend into ICA SF’s New Space for Masako Miki’s Otherworldly ‘Midnight March’ — Colossal
    Arts

    Descend into ICA SF’s New Space for Masako Miki’s Otherworldly ‘Midnight March’ — Colossal

    Younspire MagazineBy Younspire MagazineMay 25, 2025No Comments3 Mins Read
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    Huddled collectively like birds of a feather or standing resolutely on their very own, Masako Miki’s vibrant, playful sculptures come to life on the Institute of Contemporary Art San Francisco. Whether or not standing on spindly legs, seated on the bottom, or suspended from the ceiling, there’s a sense of motion and vitality within the room, as if every characterful object may skitter or roll away on the slightest provocation.

    Miki’s solo exhibition Midnight March is now open at ICA SF’s new exhibition area, The Dice, which prompts a former financial institution constructing as a web site for non-traditional exhibition displays. The Japanese artist units her mixed-media items, which incorporate supplies like wool, bronze, wooden, ink, and watercolor, right into a darkened, starry inside by which every vibrant, cartoonish particular person seems to glow.

    “Umbrella’s Whispers” (2025), wool on XPS foam, walnut wooden, 48 1/2 x 14 x 14 inches. Photograph by Nicholas Lea Bruno

    Largely summary of their nebulous varieties, felted textures, and colourful patterns, Miki’s sculptures typically trace at a life drive inside. A single eye friends from a blue form in “Enchanting Pine Tree Reaching Clouds” or human-like legs lengthen to the ground in “Umbrella’s Whispers.” We start to understand that we’re being noticed as a lot as we’re observing.

    “Midnight March helps us perceive deeper features of Miki’s ‘othered’ figures and acknowledge distinction as a optimistic drive, at the same time as we’re unsettled by it,” says an exhibition assertion.

    The indigo sky all through the exhibition enhances Miki’s two-dimensional works, which she calls Night time Parades, welcoming guests into an experiential context. The artist says, “I hope that my works generate the form of curiosity and empathy that permits us to return collectively.”

    Midnight March continues by way of December 7 in San Francisco, and you’ll discover extra on the artist’s website and Instagram.

    a horizontal, blue composition of abstract creatures and human features, including a wolf, closed eyes, moon shapes, and more
    “Midnight March (Blue and Purple Violet)” (2025), watercolor on paper, 44 5/8 x 63 1/2 x 2 inches. Photograph by Phillip Maisel
    soft sculptures in a darkened gallery installation, with a suspected piece in the foreground depicting two closed eyes
    Foreground: “Watcher with Steady Eyes” (2018), wool on XPS foam, 18 x 56 x 16 inches. Photograph by Nicholas Lea Bruno
    a cloud-like, abstract sculpture on spindly legs with blue cloud shapes like polka dots and a single eye
    “Enchanted Pine Tree Reaching Clouds” (2024), wool on XPS foam and walnut wooden, 32 x 23 x 15 1/2 inches. Photograph by Phillip Maisel
    a sculpture of a cartoonish coyote or wolf, standing on a ball
    “Fox Delivering Messages” (2025), patinated bronze, 15 x 11 1/2 x 5 inches. Version of 4 plus 2 artist’s proofs. Photograph by Nicholas Lea Bruno
    a cloud-like, abstract sculpture on spindly legs with a colorful pattern and a single eye
    “Historic Tree Witness” (2023), wool on XPS foam and walnut wooden, 76 x 48 x 42 inches. Photograph by Steve Ferrera
    a sculpture of a cartoonish cat waving a fan
    “Awa-dancing Cat Main the Crowds” (2025), patinated bronze, 15 1/2 x 13 x 7 inches. Version of 4 plus 2 artist’s proofs. Photograph by Nicholas Lea Bruno
    a horizontal, blue composition of abstract creatures and human features, including a wolf, closed eyes, moon shapes, and more
    “Midnight March (Blue and Deep Grey)” (2025), watercolor on paper, 44 5/8 x 63 1/2 x 2 inches. Photograph by Phillip Maisel

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