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    Home»Arts»Delicate Ecosystems Converge in Sonja Peterson’s Intricate Cut Paper Compositions — Colossal
    Arts

    Delicate Ecosystems Converge in Sonja Peterson’s Intricate Cut Paper Compositions — Colossal

    Younspire MagazineBy Younspire MagazineMarch 31, 2025No Comments3 Mins Read
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    Impressed by nature’s myriad types and relationships, Minneapolis-based artist Sonja Peterson creates sprawling scenes from intricately reduce paper. Working intuitively whereas specializing in the setting and our place inside it, she merges natural motifs and animals with people and historic references.

    The inherent simplicity of a clean piece of paper is a compelling attribute for Peterson, who’s fascinated by the probabilities of texture, sample, and the connection between constructive and damaging area. Initially, the artist made drawings on giant sheets, which she started to chop into with a purpose to rearrange compositional components. She turned more and more within the artwork of the incision and eliminated different media altogether.

    “Misplaced and Looking out”

    “My selection of paper echoes the thought of the fragility that I need to convey as I have a look at the precariousness of ecological techniques,” Peterson tells Colossal. “The works’ structural integrity is, at occasions, reliant on its interconnectivity; if components disconnect, all the system is in menace of collapsing.”

    An overarching theme in Peterson’s work revolves round interconnection—each pure and human-made—highlighting how our international commerce techniques, manufacturing, and agriculture are essentially reliant on the environment, whilst they contribute to an ever-growing local weather disaster. She usually combines human interactions with botanical particulars, like a sunken ship in “Misplaced and Looking out” or the salient historical past of European colonialist enlargement in “Empire Builder.”

    The artist is curious about our “international techniques as one thing of untamed marvel, a gaze that was as soon as reserved for the pure world,” she says. She usually juxtaposes botanical particulars with human-made buildings, akin to ships or buildings. “Nature is now usually seen as contained patchwork or a constructed binary to a technological world that’s now the wild frontier.”

    Peterson’s work is at the moment on view in Nordic Echoes — Custom in Modern Artwork at Scandinavia House, which runs from April 5 to August 2 in New York Metropolis. The present celebrates up to date folks arts from the Higher Midwest, that includes greater than 50 works by 24 artists. Discover extra on the Peterson’s website and Instagram.

    “The Undergound Plot of the Royal Pommes Frites,” reduce paper and acrylic on wallpaper, roughly 72 x 50 inches
    Element of “The Undergound Plot of the Royal Pommes Frites”
    a detail of a composition of botanic motifs and scuba divers made of cut paper on a red background
    Element of “Misplaced and Looking out,” reduce paper and acrylic on wall, 114 x 50 inches
    “Empire Builder” (2022), hand-cut paper and acrylic on wall, 106 x 64 inches
    “Ghost Ship Half 1” (2022), reduce paper, 112 x 50 inches. All photographs courtesy of Sonja Peterson, shared with permission
    a large-scale horizontal composition of botanic motifs, animals, trees, and a house made of cut paper on a red background
    “Inferno Seeks Shelter.” Photograph by E. G. Schempf
    “Layered Losses,” hand-cut paper, 50 x 58 inches
    Element of “Misplaced and Looking out”
    Putting in “Navigator,” reduce paper. Photograph by Jennifer Phelps

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