Sargent’s Daughters is happy to current Emily Furr‘s fifth solo exhibition with the gallery: Delirious New York. Throughout work, drawings, and collages, this new physique of labor locations Furr’s exact imagery in dialogue with the long-lasting constructed surroundings of New York Metropolis. Rem Koolhaas’ seminal work of the identical title is a sprawling evaluation of the structure and planning of Manhattan and a manifesto on twentieth century urbanism. Furr’s new work critically engages with the historical past and mythos of town she calls dwelling, reinterpreting its signifiers by means of surreal and playful compositions.
In Delirious New York, Koolhaas charted the historical past of Manhattan’s improvement from the unique Indigenous inhabitants, by means of the event of the skyscraper, to grand Modernist tasks and redesigns. The ebook was revealed in 1978 and considers town as a laboratory and origin level for contemporary city tradition, centering the psychology and beliefs of the individuals who construct and inhabit it. Koolhaas’ prose churns with historic anecdotes and enthusiasm for the subsequent levels of Manhattan’s evolution.
At this time, we inhabit a metropolis very completely different from the one Koolhaas first encountered, but the long-lasting landmarks he analyses nonetheless stand as signifiers of town itself. Furr has lived in New York for the final 24 years, arriving within the metropolis shortly after September 11, 2001. Throughout her main our bodies of labor, she has remodeled signifiers of masculinity, violence, and energy into wry visible puns and subversive scenes. In Delirious New York, she continues this venture on dwelling turf, invoking the identical monuments as Koolhaas to interrogate the optimistic city beliefs they signify.
Within the work on view, Furr conjures a moon floating amongst metropolis blocks, a tongue licking up the facet of a skyscraper, and architectural landmarks crumpled like discarded sketches. Scale, location, and gravity all turn into untethered, and the nocturnal cityscape appears to lose coherence. As we enter new eras of uncertainty and absurdity within the twenty-first century, Koolhaas’ dynamic understanding of town continues to replicate its ever-changing improvement. Like Koolhaas’ textual content, Furr’s surreal compositions have fun the contradictions of city life, refuting linear conceptions of progress and enlargement.
