GR gallery is happy to announce the exhibition ‘Neon Mud’, that includes new artworks by Chino Amobi, Jebila Okongwu, Juan Cuéllar Costa and Lim Kaye. This present will current a complete of 16 work, together with works on canvas and on paper, brazenly resonating with the apprehension of dystopian and cyberpunk aesthetics, which really feel more and more life like with the most recent growth of AI expertise these days. The opening reception will happen on Friday, March twenty first, from 6:00 pm to eight:00 pm. The exhibition will run from March twenty second to April nineteenth, 2025.
By the contingent mixing of the auto-machine primarily based course of and the anti-romantic conception of a human-machine hybrid, guests discover themselves abruptly immersed in a blurry, densely rational void. This atmosphere constantly evokes the visualization of a society standing in a liminal dimension set in between existence and dystopia, freewill and constraint, cybertechnology and low-life. On this context, GR gallery introduces a collection of artworks that explicitly join with themes of post-apocalyptic and cyberpunk fiction aesthetically softened by Pop-inspired, vibrant and graphic allusions, suggesting hope and therapeutic options.
Chino Amobi creates immersive worlds with robotic visuals and graphic-like colours. His compositions evoke an alternate universe—each unusual and acquainted—the place actuality unravels, beings dissolve, and pink neon lights illuminate cyberpunk nights. Jebila Okongwu expresses an influential curiosity about industrial low life prediction that’s near our day by day life and the query of the results of human’s motion on the developed society. Juan Cuéllar Costa’s work, with their stable graphic constructions, paradoxically mirror an unbalanced social actuality, addressing financial points by ghost-like figures that evoke a loathing for violent eras. Lim Kaye’s imagery evokes a mechanical-like creature in her compositions—monochromatic, soulless, flat, merciless, and daring—whereas additionally suggesting a dwelling, kinetic machine coexisting with humankind.
Within the context of Neon Mud, the 4 featured artists discover the anxiousness surrounding automated environments along with social and financial exploitation. By their sharp observations, GR gallery seeks to spotlight the twin nature of technological growth and examines the influence of automated futurism on modern artwork, significantly as science advances in numerous instructions.
The exhibition examines themes like authenticity in AI-generated imagery, predictions for technology-driven societies, the fragility of tech-dependent life and human subjectivity amid machines (Lim). By vibrant and dynamic visuals, these works make clear the essence of humanity, typically obscured by expertise, and encourage us to face the current with higher consciousness.
